Needlework has been practiced throughout history, across the nation of Sweden and the world, primarily by women within the home. In recent years a revival of the craft has been seen worldwide, the covid lockdown and an aging population being two factors contributing to this. Historically there's been a duality to the practice of needlework. On one hand, it's been a means of oppression, and on the other hand, it's been a weapon of resistance and a source of joy, creativity, and collectivity. It has, throughout history, proven to be a political, social and creative tool and, as argued in this thesis, a spatial tool. The practice of needlework allows for the artisan to travel between different spheres. This thesis sets out to explore the potential of moving between private and public, performing a public domesticity through, for example, knitting.
Needlework is, in its nature, slow. This slowness, the repetitive movements of the hands and the touching of tactile materials emphasizes the process of making and prompts reflections and emotions. This thesis argues that methods of needlework as, for example, layering, mending, joining, ripping, and patching, clearly connect to the architectural design process. These methods emphasize notions of care and maintenance.(...) Creating a public syrum (sewing room) where the practice of needlework and its practitioners can appear, connected to ideas of feminist architectural practice to make the everyday visible (...) needlework (...) as a collective act of taking and making space.
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